Rasmus Fiske
+47 93 45 14 09
Outside of design, I’ve explored various artistic mediums, like architecture, visual arts, music and dance, enriching my creative perspective. The interplay between these diverse forms of media, and how they communicate together fascinates me, serving as inspiration in my work. When design isn’t occupying my time, I’m often found rubbing elbows with pals, or enjoying quality time with my headphones!
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Architecture
2024
By developing a system that adheres to the antique mathematical principles that inspired Le Corbusier, while also aligning with the proportions commonly found in typography, Struktur enables a comprehensive exploration of the interplay between mathematics, modularity, and the type design process.
The use of this typographic system is exemplified through the creation of two fonts, both being a part of the Struktur Glyphs superfamily. These fonts are crafted by adopting the geometric simplicity characteristic of modern and neoclassical architecture. Additionally, they draw inspiration from the architectural epochs and typographic designs of the era, encouraging reflection of the historical context.
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Hard Cider
2023
With the need for a new identity and packaging design, they approached ANTI for assistance, and as an intern I had the opportunity to be involved in this project from the very beginning. I participated as designer in the overall design process, together with a great team of people at ANTI. The trust placed in me as an intern is something I greatly appreciate, and it was an incredibly educational experience.
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Alpine Skiing
2023
During my internship at ANTI, I also got the opportunity to work on designing the logo for the European Cup Finals 2024 held in Hafjell and Kvitfjell. This competition holds significant importance within international alpine sports, serving as a platform where emerging talents compete at a high level to display their skills and potential.
The logo design draw inspiration from the essence of the sport; speed, precision and the majestic mountain landscapes that characterize the event's venues. Made to be versatile, functioning effectively both independently and as part of the overarching identity created by ANTI for World Cup Kvitfjell.
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The Unknown
2022
Obskur is a pop-scientific magazine made during the subject of editorial design. We humans are curious beings, and most of us are in some sense interested by the unknown, be that mysteries, extraterrestrial encounters, or existential questions. Embracing a minimalist design philosophy, Obskur prioritizes its content, allowing the intriguing and enigmatic subjects it covers to take center stage.
The debut issue of Obskur focuses on the ancient and enigmatic Olmec civilization, presenting a concise yet comprehensive exploration in the format of a zine. This approach appeals to the modern preference for fast-paced, short-form content, ensuring an engaging and accessible experience that resonates with readers curious about exploring the unknown.
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Consciousness
2023
Together with two fellow students, Lord Proctor and Victoria Kristiansen, we created an identity that brings plants into the timeframe of humans, while at the same time reflecting the colorful diversity of plant life on earth. By using animation, and the experimental tool Touchdesigner we made interactive elements, which aim to build a bridge of relatability between humans and our fellow green friends.
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Norwegian Logos
2022 - t.d.
Engaging in this project has been enlightening, productive in connecting with some of the most interesting people I’ve met in the industry, as well as helping broadening my understanding of research. It has also given me opportunities in working with clients, like during my internship at Bielke&Yang when I restored the logo for HÅG by Bruno Oldani which had been distorted over time.
Collab Promo
2024
When interning at Bielke&Yang, I was fortunate to work on 3D and motion for the promotion of this collaboration. This experience allowed me to contribute to the showcasing of a unique and artistic qualities of the collection. The project was done in collaboration with fellow intern Kristine Kapstad, who was responsible for creating the promo combining my renders with other components.
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Visual Arts
2022 - t.d.
A distinctive feature of Square Gallery is the integration of music. I believe this adds a profound and immersive dimension to the experience, enriching the sensory impact. Therefore, each piece is accompanied by a carefully selected sonic element, which creates a harmonious blend of sight and sound.
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Patient Portal
2023
MyAnita strives to be a service focused on the individual, designed to be easy to use and thus not unnecessarily complicated. This is reflected in the brand identity, which emphasizes simple elements and clean surfaces, also facilitating an easier process of implementation. I'm also pleased to have the opportunity to continue influencing the project's implementation going forward.
Parking & Serving
2023
Skåne
2023
The goal of the project was to create a set of minuscules that capture the essence of one of Skåne's most unique characteristics. This area is renowned for its dense concentration of castles, a legacy from the Danish nobility that once ruled there. The typeface is inspired by the contrasts between the hard and the soft aspects to be found in the architecture.